The Eye of Time - s/t [2012]
The Eye of Time - the eye of time
[Denovali, 2012]
genre: exerimental, ambient, idm, industrial, noise, drone
Album Review by Sovereign
This is the self titled debut record of Marc Euvrie’s The Eye Of Time, consisting of the three parts AFTER US, JAIL and LILY ON THE VALLEY.The album is available as a 2xCd w/ a 30 page booklet and as a triple gatefold 3xLP – including a 10” sized 30 page booklet as well. He grew up in and was part of the French diy punk and hardcore scene for years, this album has a dark vision but there is a hip hop, underground, electronica and experimental attitude that could attract fans of Aphex twin, Autechre, Tim Hecker, Bola, Einstürzende Neubauten and Dälek. He spend six years of writing song fragments and two additional years of creating the artwork elements. This double album is a great piece of art. This is a clever mixture of noises and samples fulfilled with cello, loops, piano, programming and several recordings. More than intelligent and a kind of music which could be sad and wistful. There are ambient parts and at the other side hardcore hip hop beats and breaks that could make you move violently. This is an album that needs your fully attention in order to understand the art and this avant-garde high attitude. Maybe one of the most interesting works I have heard for years now.
http://denovali.com/theeyeoftime/
CD 1 - AFTER US
01 - Intro / 02 - I hate your fucking eyes / 03 - Time is
watching me / 04 - My hate is a gun, see the smile on my face
05 - After us / 06 - Don’t cry little child, don’t watch your future
life, you won’t survive it…don’t look down! / 07 - Birds and lands
08 - My hope took the road / 09 - What am I less? What took
the road? 10 - Away and Lost, I Cry the Error / 11 - Outro
CD 2 - JAIL / LILY ON THE VALLEY
01 - Let’s party to the Death’s birthday! / 02 - Time has come
03 - Comfort, design and graves / 04 - Once they where happy
and brought the nothingness / 05 - The distance between You
and the Rest. / 06 - 000007091981151723031994 / 07 - Begin,
wait, watch, play / 08 - Use your wings for what they are
09 - Monsters usually wear uniforms
PRURIENT - Time’s Arrow EP [2011]
PRURIENT - Time’s Arrow 12” / MCD / CS / Digital
Vinyl 12” - 1000 pcs on purple, clear orange, or black vinyl.
Cassette - limited to 400. Release Date: October 25th, 2011
Track List:
1. TIME’S ARROW
2. TIME’S ARROW (UNSOLVED)
3. LET’S MAKE A SLAVE (DE-SHELLED)
4. MASKLESS FACE
5. SLAVERY IN THE BAHAMAS (INSTRUMENTAL)
Zweizz & Joey Hopkins «Black Strobes»
From the 2011 album «Zweizz & Joey Hopkins» released through Jester Records / Neuropa
Hella Tripper - Out on Sargent House
Hella’s new album Tripper, will be issued August 30 on Sargent House.
Earlier we released “Hella - Track 1,” at the time it was not yet titled, now it’s called “Headless”. You can download the track here.
FREE STREAM : http://hella.bandcamp.com/
Asva - Presence of Absence [2011]
Asva - Presence of Absence
[Important, 2011]
genre: drone, ambient, dark ambient, noise, post-rock, doom
Album review by Sovereign
Asva have changed… this is a new band under the sovereignity of Stuart Dahlquist . There is no metal music as it was in “what you dont know is frontier/ but there is a drone atmosphere with noise and slow melodies which provides another kind of drone/amnbient music. There is a mix o modern Earth and Tim Hecker with Stars of the Lid and Troum over the rotten misery of Sunn 0))) and the melancholy of Antimatter.
Stuart Dahlquist explains everything:
“Intention. The thing I’d always felt deep down about Asva recordings was that sense of… Intention. Good as they have been they rang hollow, as if the truth of what nature born those tracks was hidden behind a venear of having to ‘be’ a definable thing, genre specific, a way to ‘belong’ somewhere in the midst of other musics. The intention behind Presences Of Absences has been to make something real and unbiased, an honest effort at reproducing what is Asva’s nature as a band and as individuals. Not heavy in the traditional sense of ‘heavy’ but emotive and powerful, not quirky, not elusive or exclusive, but a different breed entire. Presences Of Absences is about sincerity, goodwill and compassion, honesty, hard work and in the deepest sense, thanks and reflection at the end of the day. It’s a discussion in music utilizing traditional elements (liturgical, plain chant, tintinnabuli musics, folk and gospel musics, acoustic organ and wind instruments, etc) and contemporary electric instrumentation and playing methods to expose our shared origins, our pasts, presents and futures and the common thread passing through our relationships to all of it… Presences Of Absences is a big work.
P of A began as a singularly personal project. I had envisioned creating a solo work and had recorded the basis for these tracks (Reed and electric organs, electric bass and guitar, bells) over the course of perhaps a hundred and fifty early morning sessions in my rehearsal room. As the concept grew and after a lot of deliberation I realized that involving other creative minds to form a true collaborative we could, together, could push P of A into a whole new arena with considerable added dimension. Greg Gilmore, Toby Driver, and Jake Weller are musicians and composers of whom I have long admired and feel possess an intuitive sensitivity towards music and who-like myself- are not afraid of exposing themselves as truly individual voices unencumbered by any need to ‘be’ anything namable. Presences Of Absences speaks the naked truth about it’s creators and ultimatelyabout us as people.”
http://www.myspace.com/asvaband
1. A Bomb In That Suitcase
2. Birds
3. Presences Of Absences
4. New World Order Rising
The Fierce & The Dead - If It Carries On Like This We Are Moving To Morecambe [2011]
The Fierce & The Dead - If It Carries On Like This We Are Moving To Morecambe
[2011]
genre: post-rock, instrumental, noise, experimental
The Fierce And The Dead have just released their debut album, the follow up to their critically acclaimed debut EP from 2010. Featuring Matt Stevens - Guitars, Kev Feazey - Bass/synths/production and Stuart Marshall on drums the album has been recorded over the last year. Nick Cave/Faust/Lydia Lunch saxophonist Terry Edwards features on two tracks. The album is dedicated to close friend Dan Wilson who passed away during the making of the album. There are 10 songs, all shorter than the one on the first EP (although that song was 19 minutes long). The album is released on their own Spencer Park Music label (after turning down several record companies) and they are looking forward to touring in the summer, dates to be announced soon.
http://www.fierceandthedead.com/
https://www.facebook.com/fierceandthedead
1 Flint
2 Part 2
3 The Wait
4 HR
5 Hotel No,6
6 Landcrab
7 Daddies Little Helper
8 Woodchip
9 10 x 10
10 Andy Fox





This is an extremely fantastic album from a band which provides experimental metal and noisy sounds that could attract several music fans of post, punk, metal, noise and uderground musice subgenres. Their vocals are truly great under a brutal and black metal manner and fits ggreat with these kataklysm of noise sounds. It sounds like nothing else in these genres the last 10 years. The band is unbelievable ispired and really well influenced. Here are some great words from last.fm: “Following their previous two masterpieces, Sun of Nothing, the spearhead of Greek sonic extremity’s vanguard, are ready to release in collaboration with CTS Productions their third full length album, entitled “The Guilt of Feeling Alive”. Beyond black metal bleakness, post-metal ingenuity and post-punk numbness, incorporating Koreisch’s cross-genre eclecticism and Godflesh’s nihilistic aura, combining Shining’s catatonic chord pounding, Khanate’s crawling gloom and Discordance Axis’ ear crushing sonic blasts - Sun of Nothing manage to create a sonic identity that’s both personal and radical. Surpassing any easy categorization, they create their unquestionably greatest and richest release to date, adding the peak to an imaginary triptych - a memorial dedicated to the sonic violence and the inner darkness”. Buy this album! It is the best atmospheric sludge/noise metal of these days!
